New Grub Street is a novel by George Gissing published in 1891, which is set in the literary and journalistic circles of 1880s London. Gissing revised and shortened the novel for a French edition of 1901.The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, nee Yule, who cannot accept her husband's inflexibly high standards-and consequent poverty.The Yule family includes Amy's two uncles-John, a wealthy invalid, and Alfred, a species of critic-and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage: As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.Eventually, reason enough for an engagement is provided by a legacy of Â£5,000 left to Marian by John Yule.Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere Â£1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of Â£10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas.
A true story - one Great Depression Christmas Eve Grandpapa Alexandre had no money to buy his family a tree for Christmas; his creativity and Christmas spirit helped make a merry Christmas for his children a reality.
Bagehot was one of the first writers to describe and explain the world of international and corporate finance, banking, and money in understandable language. The book was in part a reaction to the 1866 collapse of Overend, Gurney and Company, located at 65 Lombard Street, from which the title draws its name. Bagehots description, and knowledge is timeless and a must for anyone who wants to understand our money market and economy.
The mark of a civilized economy is national money; the English pound, the Australian dollar, the Indian rupee. The mark of a savage economy is untamed money in the form of cowrie shells, silver, gold and so on. The state's power is critically dependent on its ability to domesticate savage money and to reassert its control. This is a constant struggle and especially so for an imperial state with ambitions of international statehood. The English pound conquered cowries and silver at the end of the last century, and the American dollar almost succeeded in domesticating gold, the last vestige of savage money. However, a new era of savage money is dawning in the twilight of the American empire. "Money" has an equivocation rather than a definition. It is a chameleon-like symbol which is forever changing as mercantile relations between people vary over time and place. This volume is not simply another general theory of world system. It is a theoretically and ethnographically informed collection of essays which opens up new questions through an examination of concrete cases, covering global and local questions of political economy.
They're baa-ack! Make way for the bestselling children's series of all time! With a fresh new look, GOOSEBUMPS is set to scare a whole new generation of kids. So reader beware--you're in for a scare! Best friends Erin and Marty love the scary "Shock Street" horror movies. They're anticipating the thrill of a lifetime when they visit the Shock Street theme park. But the thrill turns into a chill when they get stuck on a ride and attacked by terrifying, giant bugs. Will they ever get out?
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